Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts

Thursday, April 26, 2018

New books

It's been a long time since I've blogged, mostly because after writing books, I don't feel like there is all that much to write about! But I am excited about my newest release, A Mother's Choice, out in June, and I thought I'd share a little bit about how it came to me.



I had the original idea for the book several years ago: a mother who has to give up her baby for adoption, the single mom who is going to adopt, and the ongoing relationship they have over the next seven years. I don't want to say more about it because it's not a straightforward adoption story, and it has several twists that I think are important to keep secret.

The working title was The Other Mother and I wrote one chapter before I petered out, realising I needed a lot more thinking time--and just time in general. Then, last summer, I realised that I was never going to write a 'big' book like this (think Diane Chamberlain or Jodi Picoult) with all my deadlines stacked on top of one another. There just wasn't enough time! So I moved my deadlines and determined to write at least 30k to send to my agent, which, amazingly, I did over the course of six weeks.

My agent loved it, and so did the editor at Bookouture, and so I somehow managed to finish the book (I'm still not sure how; it's all a dazed blur!) in a record six weeks and sent it off. It needed a lot of revisions, but everything I write needs revisions, and so I managed those and then got the official 'call' from Bookouture in November, which was such a thrill. Even with 60+ books under my belt, it's always amazing when someone connects strongly with your story--especially one that is so emotional and personal to me, as A Mother's Choice is.

Over the next few weeks I'll be sharing snippets from the book but I thought I'd leave you with some of the prologue, which was one of those things that just flowed out of me:


Morning light slants through the hospital window as slowly I come through the door of the nursery, my body aching with both fatigue and fear. My heart is beating in a painful staccato as I approach the plastic bassinet. I am swathed in scrubs and latex, due to the possibility of infection, but my arms ache with the need to reach and hold, and then to never let go. But I can’t; I know I can’t.

A nurse smiles at me sympathetically and gestures to the bassinet, as if granting me permission to approach, or perhaps simply pointing out the right baby. But of course I know you, my child.

My child. The words buoy me inside as if I am filled with lightness, with air, so I feel as if I am floating. My child. How could I not know it? How could I not feel it? It inhabits every fibre of my being, every cell. I pulse with the knowledge, the fragile joy. Incredulously, I smile.
And there you are – small, so small, swathed in a white flannel blanket, a tuft of light brown hair under a little knitted cap, your fists by your face like flowers, your lips pursed like a tiny rosebud, cheeks soft and round. Perfect. I know every mother thinks the same, of course she does, but no one feels it like me. No one.
I stand in front of your bassinet, battling both tears and euphoria, because it’s too soon to feel this way, or maybe it’s too late. I reach out one hand and rest it on the plastic crib, longing to touch your soft, pink skin, your round cheek, already knowing how smooth it will feel. I love you. I will do anything for you.

I didn’t expect to feel it so strongly, flooding me with both need and purpose. I’d separated myself somehow, over the last few harrowing months, because I had to. Because it felt safer and stronger, a necessary element of this whole torturous process, to keep myself a little bit distant. But now...
Now everything has changed. Everything. I lean forward, willing your tiny eyes with their sparse, golden lashes to open. To see me for myself, a mother.
And then they do, and I fall into their deep blue depths. I fall and fall, everything in me swelling with love as my heart starts to break.

Thursday, June 22, 2017

Thursday Throwback: The Other Side of The Bridge

This was the first historical timeslip I did, and I really enjoyed researching the setting of Greece in WW2, and in particular the involvement of the British SOE in the Greek Resistance. In present day, newly separated Ava Lancet moves to her grandmother's farmhouse in a small village in the mountains of Greece and discovers the mystery surrounding her grandmother's life... and how her grandmother's courage can teach her to face up to things in her own life.

I'm revisiting it today because it has been refreshed with the older cover, one I've always liked. What do you think? You can buy it here.



Tuesday, June 20, 2017

Wednesday Writing: A Slightly Scary Secret Project


So I have a lot of deadlines. But between them I have been squeezing in a secret writing project (not that secret, really, just something I'm keeping a bit under wraps...!) that I'm excited about because it's the kind of book I really, really like writing--similar in theme and vein to This Fragile Life and When He Fell, if you've read either of those. It's psychological and a bit dark but with a hopeful ending--I hope! I don't have a publisher yet, but I am hoping to find one soon. I've written nearly a third of the book so far. Here is the first paragraph:

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The first time I see Jamie I think he is a thug. A threat, which is both sad and strangely laughable, considering what I later became to him. But in that first glimpse of his lowered head and drawn up knees, I prickle and tense instinctively, as if he could hurt me, which of course he did, much later. It was simply that none of it happened the way I thought. The way I wanted.

What do you think? Would you keep reading?

Monday, June 19, 2017

Tuesday Treasure: The Wealthy West

Thanks to Spotify, I have discovered lots of new music to write to, and when I am feeling reflective as well as both sad and hopeful, I like listening to The Wealthy West, the moniker for an indie folk singer named Brandon Kinder.



His music has been used in various indie films and TV commercials, and you can understand why. The song 'Home' is the anthem for my work-in-progress, set in the Yorkshire Dales, a story of a woman's reluctant homecoming to her father's farm. You can listen it to here: Home. It's one of those songs I've liked the first time I listened to it, which is actually rare. It usually takes a couple of listens before I like a song, but from the first I played this one over and over.

Anyway, give it a try if you like a mellow, reflective, and poignant type of song.


Tuesday, June 6, 2017

Tuesday Treasure: Guest Post by Tracey Sinclair

I'm so pleased to welcome Tracey Sinclair to my blog, with this fabulous post about female friendships--something I've been thinking about lately, having moved recently and needing to make new friends! You can learn more about Tracey and her books by following the links at the bottom of the post. Enjoy!



Why female friendships are at the heart of my books
If I had to point to an (unexpected) theme in my work, other than a certain Northern attitude and a tendency to swear, it would be that of female friendships. When I look at my books, which span a number of genres – from literary fiction to romantic comedy to paranormal – it’s a common thread, even though it was never intended to be.
My first book, Doll, was about the catastrophic aftermath of losing your closest friend – the protagonist Thea embarks on a self-destructive journey while reeling from grief over her best friend’s death. Having shamelessly plundered my teenage years for material – merrily utilising (and distorting) details of my own life and that of my oldest friend – I revisited the same well for my romantic comedy, Bridesmaid Blues. Well, I figured if my friend wasn’t mad at me the first time, she wouldn’t be the second, either!
The premise for Bridesmaid Blues came straight out of my own life: after a nasty break up with the man I at the time thought was the love of my life (and who was the brother of the boyfriend of a close friend), I ended up being the only bridesmaid at their wedding, where he was the best man. Come on – you can’t not use material like that! The book is a romantic comedy: will the heroine Luce get back together with the man who dumped her and broke her heart? But it’s also about friendships, and how they change. To become the woman she needs to be to find happiness, Luce has to grow out of the wayward little sister role she has fallen into with best friend Jenna, as well as re-evaluate her relationship with her glamorous pal Hali, and turn it into a proper friendship, rather than a form of hero worship – and I enjoyed writing (and reading!) those bits of the book as much as any of the romantic stuff!
Even my paranormal series, Dark Dates, has female friendship at its core. While the plots centre around whatever paranormal threat the heroine Cass has to deal with du jour (with some sexy romance thrown in courtesy of a couple of smokin’ hot heroes), the lynchpin of the series is how she moves from being a loner – and lonely – to building her own Buffy-style ‘Scooby gang’, and developing a real friendship with her colleague Medea and Medea’s fiancée, Katie.
In part I think this is because female friendship is so central to my own life (I do have male friends I love very dearly, of course, but that tends to be a slightly different beast). I’m an only child, so have consciously created a network of friends who are like family to me, and whom I treasure even more now we’re getting older and those friendships have survived the inevitable occasional battering by life’s trials and tribulations. So, my friendships have always loomed large in my life: it makes sense that they would in my work, too.


Tracey Sinclair is an author and freelance editor and writer. Her books include the romcom The Bridesmaid Blues and the Dark Dates/Cassandra Bick series, the latest of which, Angel Falls, is out now.
@thriftygal

Wednesday, May 10, 2017

Wednesday Writing: When Your Story Surprises You

So I'm nearly halfway into my current manuscript, Marry Me at Willoughby Close, and the story suddenly took an unexpected turn! I was preparing the hero and heroine to have a fancy dinner at a restaurant in London when my heroine decided not to go. (Spoiler--hopefully readers will have forgotten this by the time the book comes out!) I realized her decision to be independent was more important than the conversation (and flirting!) they'd have at the restaurant.


I love when a story surprises me, and the characters start to speak for themselves. I think it's usually a good sign that the story and characters have depth. I'm not just putting them through the motions. Here is a snippet of the scene I wrote that surprised me:

It wasn’t a date. She knew that. Of course she knew that. She wasn’t for one second imagining that Henry was interested in her. He was taking pity on her, for heaven’s sake, and pity was one thing Alice knew all too well.
She’d been pitied all her life. Pitied or ignored, and in all truth Alice didn’t know which one was worse. She didn’t want either, and she realized she was dreading this dinner because she didn’t actually want Henry gently instructing her on which forks to use or ordering for her because she so obviously wouldn’t know what to order herself.

She could see it all so clearly—Pretty Woman or Pygmalion—she’d read it for GCSE—it was all the same. The rich, sophisticated man telling the clueless girl what to do. How to feel. Introducing her to a world she never could have experienced or even found on her own, and then smiling smugly when she fumbled with the forks or marvelled at the taste of an oyster.

So now I've got to figure out what happens after they don't go out to dinner! Stay tuned. And in the meantime you can order the book here.